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Portinari Chapel
The Portinari Chapel (Italian: ''Cappella Portinari'') is a Renaissance chapel at the Basilica of Sant'Eustorgio, Milan, northern Italy. Commenced in 1460 and completed in 1468, it was commissioned by Pigello Portinari as a private sepulchre and to house a silver shrine given by Archbishop Giovanni Visconti in 1340 containing the relic head of St. Peter of Verona, to whom the chapel is consecrated.〔(‘Cappella Portinari’ ), Basilica di Sant’Eustorgio (official site).〕〔Luca Beltrami, (‘The Chapel of St. Peter Martyr in the Church of Sant’ Eustorgio, Milan’ ), tr. by A. R Evans, in Victoria and Albert Museum, ''Italian Wall Decorations of the 15th and 16th Centuries: A Handbook to the Models Illustrating Interiors of Italian Buildings in the Victoria and Albert Museum, South Kensington'' (London: Chapman & Hall, 1901), pp. 13–32 (pp. 18 and 29).〕 The architect is unknown, the traditional attribution to Michelozzo having been succeeded with equal uncertainty by attributions to either Filarete or Guiniforte Solari, architect of the apses of the Certosa di Pavia and the church of San Pietro in Gessate in Milan.
==The commission==
The Portinari Chapel, which has been described as a work of Tuscan architecture in Lombardy,〔(Museums ), Hello Milano.〕 was commissioned by the Florentine nobleman Pigello Portinari (1421–1468), who became the representative in Milan of the Medici bank in 1452.〔〔(''Milano'' ), Guida d'Italia del Touring club italiano, 10th edn (Milan: Touring Editore, 1998), pp. 370–372.〕 (His younger brother Tommaso, also a Medici banker and patron, would commission the Portinari altarpiece from Hugo van der Goes in 1475.) The building was intended to function both as a family chapel and mortuary and to house the relics of Saint Peter of Verona who, as patron saint of inquisitors,〔He was Inquisitor-General of the heretics in Lombardy from 1213 and made the basilica of Sant’Eustorgio his headquarters in waging war upon heresy. See Beltrami, p. 16.〕 was of particular importance to the Dominicans of Sant’Eustorgio: their convent had housed the Milan inquisition since the 1230s.〔〔Michael M. Tavuzzi, (''Renaissance inquisitors: Dominican inquisitors and inquisitorial districts in Northern Italy, 1474-1527'' ), (Leiden: Brill, 2007), p. 58.〕
Above the chapel’s altar a donor portrait from 1462, sometimes attributed to Giovanni da Vaprio, depicts Pigello Portinari kneeling in prayer before Peter of Verona. This image may be the origin of the legend that Peter appeared in a vision to Pigello, commanding him to build a chapel in which his remains might be honourably preserved.〔〔〔Beltrami, pp. 20–21.〕 Pigello Portinari was interred here in 1468, but the saint’s head remained in the sacristy〔Beltrami, p. 29.〕 and his tomb was not moved into the chapel until 1737.〔
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